Conference "La connaissance intranquille" (Intranquil Knowledge)

June 3, 2022

On June 3, 2022, at 8:30 a.m. (EST), Margot Mellet gives a lecture titled "Le savoir intranquille du texte numérique : restituer une intimité avec son texte à l'écran" (The Un-Tranquil Knowledge of the Digital Text: Restituting
Calendar Days 2022-05-24

ENCODE from the University of Bologna Project Conference

May 23, 2022

On May 23, 2022 at 10 a.m. (EST), Marcello Vitali-Rosati gives a lecture titled "Technical Thinking: the 'Greek Anthology Project' between Epistemological Choices and Code" at the 5th ENCODE Project Conference, which
Calendar Days 2022-05-20
Calendar Days 2022-05-15

International colloquium

May 6, 2022

On May 6, 2022, Mathilde Verstraete gives a lecture titled "Les figures de l'auteur au sein du projet d'édition numérique collaborative de l'Anthologie grecque" (Authorial Figures in the Collaborative Digital Edition of the Gree
Calendar Days 2022-05-03

Carrefour de culture et création numériques roundtable

May 16, 2022

The Carrefour de culture et création numériques (C3N) of the Faculty of Arts and Sciences of the University of Montreal holds a roundtable on May 16, 2022 from 9 a.m. to 12:30 p.m. Roch Delannay, Antoine Fauchié and Margot Mell
Calendar Days 2022-05-02

Humanistica Conference 2022

May 19-21, 2022

From May 19-21, 2022, the Canada Research Chair on Digital Textualities team will give multiple lectures and presentations as part of the annual conference organised by Humanistica, the francophone digital humanities associa
Calendar Days 2022-03-28
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      "id": 1476,
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      "title": "Conference \"La connaissance intranquille\" (Intranquil Knowledge)",
      "content_html": "<p>While many digital creations or editions are posed in mimicry in relation to the paper medium (recreating the format of an A4 page, the structure of a content in pages, etc.), the digital can be invested as a space where to renegotiate the characteristics of what is a text and what makes literature. The architecture of this medium (between hybridity, strata of writing, modularity of inscriptions that seem to be infinitely erasable and reinscribable), but also the lack of knowledge we may have of how it works dispossess us in a way of the text in the digital.</p>\r\n\r\n<p>Between what is shown to us on the screen, the Web rendering, and what concretely constitutes this text, its technical backstage, lies a world of tranquility. Thinking about text on the screen requires awareness of its digital materiality -- and in particular of the format that determines it (DOCX, PDF, TXT or other) -- but also of the fundamental unbinding between text and media. My screen may be broken, my keyboard may be broken, my battery may be dead, my text will not be affected *to the letter*; however, a crash, a bug or a hack of my file will corrupt its words without my screen, my keyboard or my machine being affected. The health of the text is actually beyond its reading or writing interface, it depends on the format that decides its accessibility. However, I am not the author of this format. My digital writing machine does not make me the owner of the text I write on its interface. Conversely, I don't need to be Bill Gates or Paul Allen to write my text in DOCX. To claim ownership of the latter, however, I would have to usurp their identities. Where then to locate our relationship of intimacy to the text?</p>\r\n\r\n<p>Going beyond the rendering on the screen, into the illegibility of the digital text (in the encoding languages), into this intermediate space between human and machine, going to meet the intranquillity of the digital text, is a process of research as much as it is of creating a literary intimacy. In this paper, I wish to deepen this idea of an intranquil knowledge in the experience of an intimacy with the digital text.</p>",
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      "description": "<h2>June 3, 2022</h2>\r\nOn June 3, 2022, at 8:30 a.m. (EST), Margot Mellet gives a lecture titled \"Le savoir intranquille du texte numérique : restituer une intimité avec son texte à l'écran\" (The Un-Tranquil Knowledge of the Digital Text: Restituting",
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      "id": 1478,
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      "title": "Canadian Comparative Literature Association Annual Congress",
      "content_html": "<p>June 22, 2022<br>Workshop \"Inscription Practices/Play\"<br>Presented by Antoine Fauchié, Margot Mellet and Marcello Vitali-Rosati at 4 p.m. (EST)<br>We propose a playful exploration of the possibilities offered by Zotero reference libraries. In this workshop, we want to build a Zotero library as a collaborative space for interaction and discussion of the references within it to display the links between research and researchers. By clicking on the library link created for the workshop, participants will be able to participate in the shared library by adding references, structuring existing information, sharing their reading experiences in notes, etc. In order to play with our research data, we will fetch this library and produce, using Python, visualisations of the information and links that compose it to show that our references refer to much more than articles or books, and that they participate in a real knowledge network.</p>\r\n<p>June 23, 2022<br>Workshop \"Inscription Reflections\"<br>Facilitated by Antoine Fauchié, Margot Mellet and Marcello Vitali-Rosati at 3:30 p.m. (EST)</p>",
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      "description": "<h2>June 22-23, 2022</h2>\r\nFrom June 21 to 24, 2022, the annual congress of the Canadian Comparative Literature Association will take place on <a href=\"https://usask-ca.zoom.us/j/91426193493?pwd=T2w2SUFhNzU5ZVZwWTd6VTdJWkZhdz09\">Zoom</a>. The theme, ",
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      "slug": "roundtable-presents-de-la-science-fiction-evolution-et-diversification-du-genre-a-l-epoque-contemporaine-presents-of-science-fiction-evolution-and-diversification-of-the-genre-in-the-contemporary-era",
      "date_start": "2022-05-23",
      "date_end": null,
      "time_start": null,
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      "event_type": null,
      "id": 1474,
      "events_id": 737,
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      "title": "Roundtable \"Présent(s) de la science-fiction : évolution et diversification du genre à l'époque contemporaine\" (Present[s] of Science Fiction: Evolution and Diversification of the Genre in the Contemporary Era)",
      "content_html": "<p>Science fiction envisions possible futures, so it is only natural that it also questions the linguistic evolutions of these possible worlds. If we can view societal and linguistic developments as extensions and inter-dynamic systems, it becomes clear that linguistics can hold a fundamental place in SF writing (Landragin 2018, 2020).</p>\r\n\r\n<p>Linguistic issues already agitate our news and ways of relating to one another. The last few years have seen the expansion of inclusive writing and the visibility of questions about gender in the language, particularly in French: how can we not be in a sexist relationship if even the nominations imply that the feminine does not exist</p>\r\n\r\n<p>What if this relationship were reversed? If society were sexist... the other way around?\r\nThis is the premise of Elisabeth Vonarburg's novel <i>Chroniques du pays des mères</i>, through which I would like to explore how linguistics can be a universe-building tool, a full-fledged \"show don't tell\" of literature. The expression of both the characters and the narrators, and what it induces, will shed light on a way of telling and representing a global society, a mirror of our own, unable to think outside its system of enunciation.</p>.\r\n\r\n<p>The reader then perceives the universe no longer solely through their own linguistic system, but by measuring the gap between this used language (yet, here, it is indeed normative French, without even Quebecisms) adapted to the reality of this other society. Since language is at the heart of the construction of both the myths and the historical representation of this society as seen by itself, it is necessary to understand its possible evolutions and its uses in order to grasp its narrative functions as a tool for the construction and consolidation of a second world.</p>",
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      "description": "<h2>May 20, 2022</h2>\r\nOn May 20, 2022 at 9:45 a.m. (EST), Emmanuelle Lescouet will give a talk titled \"Concevoir le futur, concevoir la langue\" (Conceiving the Future, Conceiving Language) at the roundtable organised by the University Aix-Marseille.",
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      "id": 1470,
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      "title": "ENCODE from the University of Bologna Project Conference",
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      "description": "<h2>May 23, 2022</h2>\r\nOn May 23, 2022 at 10 a.m. (EST), Marcello Vitali-Rosati gives a lecture titled \"Technical Thinking: the 'Greek Anthology Project' between Epistemological Choices and Code\" at the 5<sup>th</sup> ENCODE Project Conference, which",
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      "date_start": "2022-05-15",
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      "event_type": null,
      "id": 1468,
      "events_id": 734,
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      "date_start": "2022-05-03",
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      "id": 1462,
      "events_id": 731,
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      "title": "International colloquium ",
      "content_html": "<p>This lecture will address different authorial and, <i>a fortiori</i>, authority, figures present in the collaborative digital edition project of the Greek Anthology, allowing the emergence of, and the dialogue between, ancient authors and modern editors.</p>",
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      "description": "<h2>May 6, 2022</h2>\r\nOn May 6, 2022, Mathilde Verstraete gives a lecture titled \"Les figures de l'auteur au sein du projet d'édition numérique collaborative de l'Anthologie grecque\" (Authorial Figures in the Collaborative Digital Edition of the Gree",
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      "id": 1458,
      "events_id": 729,
      "languages_code": "en",
      "title": "Carrefour de culture et création numériques roundtable",
      "content_html": "<p>Stylo is a tool designed to rethink the writing and editing process of scholarly journals in the humanities and social sciences. As a WYSIWYM (What You See Is What You Mean) semantic text editor for the humanities, it strives to improve academic publication chains.</p>\r\n<p>In order to give back to authors control over their texts, text structuration is put at the very beginning of the knowledge production process through the use of semantic tags. Unlike text processors such as Microsoft Word, Stylo strives to promote and encourage the use of standards thanks to its implementation of open protocols. Built on modular, low-tech and standardized tools and editing formats, such as Markdown, BibTeX, Pandoc, Hypothes.is and LaTeX, Stylo integrates the best Web writing and publishing practices in a single interface. Because of its integration of formats and conversion technologies already used by the humanities community, it allows the free circulation of documents that are not limited to a single format. Stylo encompasses functions such as sharing, versioning, modification tracking, bibliography managing, annotation, multiformat exportation, authority-aligned metadata (LOC, Wikidata, ORCID...) and online semantic markup.</p>",
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      "date_start": "2022-05-02",
      "date_end": null,
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      "id": 1452,
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      "title": "Colloquium \"Les mythes au XXI<sup>e</sup> siècle\" (Myths in the 21<sup>st</sup> Century)",
      "content_html": "<p>Greek and Roman mythologies are an inexhaustible source of rewrites, adaptations and remediations of the founding myths of Western culture. However, many of these myths are based on the oppression of women, human groups, or members of the wider margins. Thinking about history after the (male) hero has claimed victory, from the viewpoint of the consequences and feelings of the victims, has become a necessity for understanding the implications of such myths.</p>\r\n\r\n<p>In this presentation, I wish to confront feminist, videogame, and narrative studies with literary remediations (Neal Shusterman's <i>Scythe</i> series), about graphic novels (Melchior Ascaride's <i>Eurydice déchaînée</i>) and webtoons (Rachel Smyth's <i>Lore Olympus</i>), but also videogames (Supergiant Games' <i>Hades</i>). Beyond the thematic analysis (of the narrative itself), I wish to study how the graphic layout and the framework allow to iconize the victims and to offer them an empowerment consistent with the original myths.</p>\r\n\r\n<p>After a brief presentation of the corpus, and the identification of their common points, I will present the importance of narrative time in the iconisations of each one and how narration and visibility allow a reversal of the power schemes. After discussing the pitfalls (thematic and narrative) of the protagonists' new position, I will conclude by demonstrating the continuity created with the original myths.</p>\r\n\r\n<p>The theories of reading and gesture will also allow us to understand the possible immersion in these works of the extreme contemporary, and the impact of the latter in the overthrow of the proposed patriarchal order.</p>",
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      "id": 1450,
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      "title": "International colloquium « L'écrivain et la machine. Figures de l'auteur à l'ère du numérique » (The Writer and the Machine. Authorial Figures in the Digital Era)",
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      "date_start": "2022-04-14",
      "date_end": null,
      "time_start": null,
      "time_end": null,
      "event_type": null,
      "id": 1456,
      "events_id": 728,
      "languages_code": "en",
      "title": "Focus group \"Les formats d'écriture comme interfaces entre supports et genres de discours\" (Writing Formats as Interfaces Between Supports and Discourse Genres)",
      "content_html": "<p>The objective of this focus group is to question the notion of format, understood as a dimension of stabilisation between writing support, textual composition and discourse type.</p>\r\n<p>The morning session will focus on short texts – regulatory and instructional signs in the public space, commemorative plaques – or long texts – scientific reports – and will look at the way in which medium and discourse type constrain format when it comes to structure and content. The afternoon will be devoted to digital writing formats. In particular, we will observe the transformations that a format undergoes when moving from one medium to another, the constraints imposed by the devices, and the values conveyed by the different formats of digital writing.</p>",
      "links": [
        {
          "label": "Focus Group Website",
          "url": "https://ceditec.u-pec.fr/actualites/seminaires-colloques/journee-detudes-%C2%AB%E2%80%AFles-formats-decriture-comme-interfaces-entre-supports-et-genres-de-discours%E2%80%AF%C2%BB"
        }
      ],
      "feature_image": null,
      "description": "<h2>April 15, 2022</h2>\r\nAs part of this focus group hosted by the University Paris-Est Créteil, Marcello Vitali-Rosati gives a talk titled \"Formats d'écriture et formes de pensée\" (Writing Formats and Forms of Thought) at 10:15 a.m. (EST) online <a ",
      "location": null,
      "legacy_image": "https://imgur.com/PadhZkB.jpg",
      "legacy_slug": "Focus-group-Les-formats-decriture-comme-interfaces-entre-supports-et-genres-de-discours-Writing-Formats-as-Interfaces-Between-Supports-and-Discourse-Genres",
      "legacy_location": null
    },
    {
      "slug": "humanistica-conference-2022",
      "date_start": "2022-03-28",
      "date_end": null,
      "time_start": null,
      "time_end": null,
      "event_type": null,
      "id": 1466,
      "events_id": 733,
      "languages_code": "en",
      "title": "Humanistica Conference 2022",
      "content_html": "<p>\"Des algorithmes pour définir nos concepts littéraires. Le cas de la <i>variatio</i> dans l’Anthologie grecque\" (Algorithms to Define Literary Concepts: The Case of Variation Within the Greek Anthology)<br>Presented by Luiz Capelo, Giulia Ferretti, Timothée Guicherd, Mathilde Verstraete and Marcello Vitali-Rosati</p>\r\n<p>Workshop \"Rédaction et édition savantes avec l’éditeur de texte Stylo\" (Scholarly Writing and Editing With the Text Editor Stylo)<br>Given by Antoine Fauchié, Margot Mellet and Marcello Vitali-Rosati</p>\r\n<p>\"Littératies et systèmes éditoriaux numériques. Présentation des expérimentations menées dans le cadre du projet Revue 2.0\" (Literacies and Digital Editorial Systems: Presentation of the Experiments Conducted for the Journal 2.0 Project)<br>Presented by Antoine Fauchié, Margot Mellet, Nicolas Sauret and Marcello Vitali-Rosati</p>\r\n<p\"Le Répertoire des écritures numériques : construire une description des œuvres littéraires numériques contemporaines\" (The Digital Writings Repository: Building a Description of Digital Literary Works)<br>Presented by Emmanuelle Lescouet</p>\r\n<p>\"Les petites mains de l'édition. Réflexions pour des espaces éditoriaux numériques plus inclusifs\" (The Little Hands of Editing: Reflections Towards More Inclusive Digital Editorial Spaces)<br>Presented by Margot Mellet</p>\r\n<p>« Le Novendécaméron : une expérience d’édition littéraire numérique à l’ère de la COVID-19\" (The Novemdecameron: A Digital Literary Edition Experiment in the COVID-19 Era)<br>Presented by Louis-Olivier Brassard, Antoine Fauchié and Jean-François Vallée</p>\r\n<p>Poster \"L'intime dans le processus d'écriture savante. Observation des manifestations intimes dans l'éditeur de texte Stylo\" (Intimacy in the Scholarly Writing Process: Observation of Intimacy Manifestations in the Text Editor Stylo)<br>Presented by Roch Delannay</p>\r\n<p>Study Group \"Le <i>Howto</i> du tuto DH : session de travail sur un format alternatif du savoir\" (A Howto on DH Tutorials: Work Session On An Alternate Format of Knowledge)<br>Margot Mellet, Servanne Monjour and Nicolas Sauret</p>",
      "links": [
        {
          "label": "Conference Website",
          "url": "https://humanistica2022.sciencesconf.org/"
        }
      ],
      "feature_image": null,
      "description": "<h2>May 19-21, 2022</h2>\r\nFrom May 19-21, 2022, the Canada Research Chair on Digital Textualities team will give multiple lectures and presentations as part of the annual conference organised by Humanistica, the francophone digital humanities associa",
      "location": null,
      "legacy_image": "https://imgur.com/EdScxVA.jpg",
      "legacy_slug": "Humanistica-Conference-twozerotwotwo",
      "legacy_location": null
    }
  ]
}