Canada Research Chair in Digital Textualities

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Conference of Jeffrey Schnapp

University of Montréal

Pavillon Lionel-Groulx, Local C-3061
Tuesday 6th April 2017, 5:45pm-7pm

Calendar Days 2017-03-28
Calendar Days 2017-03-23 
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      "slug": "the-publishing-sphere",
      "date_start": "2017-06-10",
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      "id": 1258,
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      "title": "The Publishing Sphere",
      "content_html": "<h3>Ecosystems of Contemporary Literatures</h3>\r\n\r\n<p>The realm of writing has never been so extensive; nor has the idea of publication ever been so plural. Not a day passes without a great percentage of humanity publishing one or numerous texts: on a blog, a social media network, or elsewhere. A two-day program of performative live publishing will celebrate this emerging sphere with talks and conversations, readings, sound performances, interventions, and more. Radio Brouhaha, launched at the event, will livestream [voicerepublic.com] the final evening, capturing sounds of ambiance and infrastructure.\r\n\r\n<p>The traditional idea of the solitary author in direct contact with his editor, and speaking in absentia to an anonymous public is obsolete. In recent years an abundance of literary practices – performances, public readings, sound and visual work and new public spaces– have emerged, forming a vibrant artistic and political “publishing sphere.” If it is true that the imaginary of modern literature is constitutive of the fantasy of a “good” public sphere of democracy then we must find what kind of societies are emerging from the publishing sphere we are faced with today.</p>\r\n\r\n<p>At The Publishing Sphere scholars, writers, artists, and representatives of initiatives will investigate the different locations of contemporary literatures between an abstract sphere and a material space. They explore what constitutes a literary work beyond the materiality of the book, expose other forms of publishing besides texts, and survey the agents and players who inhabit the field. Alternating between round table discussions, performative miniature elements, workshop reach-outs, and literary readings they will scrutinize their pre-reflections, research notes, image materials, literary references, to create a publishing sphere of their own.</p>\r\n\r\n<p>Chair's holder <b>Marcello Vitali-Rosati</b> will take place at a roundtable with Miriam Rasch between 16:40 and 17:20 on June 13<sup>th</sup> and will offer a presentation called <a href=\"https://voicerepublic.com/talks/the-publishing-sphere-2nd-session-protocols\">\"Editorialization: Writing and  Producing Space\"</a>.</p>  \r\n\r\n<p><i>The Publishing Sphere</i> is supported by <b>Haus der Kulturen der Welt</b>, <b>Université Paris Lumières</b>, the <b>Institut Universitaire de France</b> and the <b>Alexander von Humboldt Foundation</b> via the professorship of Irene Albers at Peter Szondi-Institut für Allgemeine und Vergleichende Literaturwissenschaft of the Freie Universität Berlin.</p>",
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      "description": "<h2>Haus der Kulturen der Welt, Berlin\r\n<div class=\"dateHeure\">13th-14th June 2017</div></h2>",
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      "date_start": "2017-05-18",
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      "id": 1162,
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      "title": "Grand colloque intermédialité à Montréal \"Authentic Artifice / Authentique artifice\"",
      "content_html": "Le colloque « Authentic Artifice / Authentique artifice » propose une réflexion sur les rapports complexes qui lient authenticité et médiation, sur les valeurs et modalités qui leur sont historiquement attachées de même que celles qui sont les leurs aujourd'hui.\n\nLe titre paradoxal de ce colloque, « Authentic Artifice / Authentique artifice », en est l’expression. Il invite à un questionnement sur les systèmes d’oppositions qui déterminent encore, pour une bonne part, notre approche des pratiques médiatiques – ce qui, d’un point de vue intermédial, inclut les pratiques artistiques, littéraires et, plus globalement, communicationnelles. \nAinsi, alors que les technologies interviennent dans tous les aspects de la vie quotidienne et qu'elles s'insinuent à l'intérieur même du corps humain, notre culture reste étrangement hantée par une certaine conception de l’authenticité qui s’appuie sur une mythologie de la présence. Cette présence peut être comprise comme une convergence du temps et de l'espace, comme un partage de l'ici et du maintenant. Elle serait la marque de l'authenticité, elle assumerait une sorte de valeur morale, insaisissable et pourtant très claire pour tous. La présence serait du côté de l'immédiateté, de la naturalité, de la vérité.\n\nCette réflexion est organisée en fonction des quatre axes suivants : \n1.\tPerspectives théoriques et historiques : analyses intermédiales des discours sur l’authenticité et sur la médiation. Quels sont les fondements philosophiques, moraux, socio-économiques de la pensée de la présence et de l’authenticité ? Quels systèmes interprétatifs sont mobilisés ? Quelles différentes idéologies peut-on identifier ? \n2.\tPerspectives dynamiques : la question de l’authenticité et le passage du paradigme représentationnel au paradigme performatif. Quelles sont les alternatives théoriques aux oppositions entre médiation et immédiateté ? \n3.\tPerspectives esthétiques : les manifestations de la présence et les modalités de la médiation. Analyse d’expériences artistiques ou de pratiques esthétiques qui adoptent ou défient l’idéologie de l’authenticité : de l’emploi des filtres dans les images numériques ou les enregistrements sonores, à l’hypermediateté (hypermediacy) et aux différents d’artifices qui tendent à se montrer ou à s’effacer. \n4.\tPerspectives magiques : les spectacles modernes de magie, ou « arts trompeurs », qui apparaissent dans la deuxième moitié du XIXe siècle grâce aux progrès de la technologie et continuent d’attirer les foules aujourd’hui, relèvent des perspectives esthétiques mais présentent un cas si extrême d’authenticité de l’artifice qu’un axe leur est consacré. Ces spectacles, fondés sur l'artifice de l'illusion, misent sur la « vérité de l'expérience » et sur le paradoxe du spectacle d’une médiation qui se dérobe toujours au regard du spectateur. ",
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    {
      "slug": "colloque-ecridil-ecrire-editer-lire-a-lere-numerique-2018",
      "date_start": "2017-05-15",
      "date_end": null,
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      "id": 1286,
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      "title": "Colloque ÉCRiDiL « Écrire, éditer, lire à l’ère numérique » 2018",
      "content_html": "<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F42522179%2F249496737807%2F1%2Foriginal.jpg?w=800&rect=0%2C2%2C2214%2C1107&s=937470914caa00af4e779d3dcd202f8d\" />\r\n<h3>Le livre, défi de design: l’intersection numérique de la création et de l’édition</h3>\r\n<h3>Second edition of ÉCRiDiL \"Writing, Editing, Reading in digital age\"</h3>\r\n\r\n<p>The ECRiDiL congress studies, without separing them, the three fundamental uses of the book chain (writing, editing, reading) starting from the culturee of innovation via design, in the spirit of social and digital innovation.</p>\r\n\r\n\r\n<h3>Program</h3>\r\n<h3>30th April</h3>\r\n<p>\r\n<ul>\r\n<li>8.30am – Welcoming</li>\r\n<li>8.45am – Opening</li>\r\n<li>9am-10.20am – <a href=\"https://www.youtube.com/watch?v=afbPtRH-aHQ&t=16s\">Panel {A} \"Matérialités du design du livre numérique\"</a></li>\r\n    <ul>\r\n    <li>Marc Jahjah and Clémence Jacquot, \"Interroger la matérialité numérique d’une œuvre \"hybride\": l’énonciation éditoriale de <i>Poreuse</i>\"</li>\r\n    <li>Oriane Deseilligny, \"Entre livre-objet et objet livre: représentations et circulations de la matérialité du livre en régime numérique\"</li>\r\n    <li>Julien Drochon, \"Plasticités plurielles des lectures numériques\"</li>\r\n    </ul>\r\n<li>10.20am-10.40am – Pause</li>\r\n<li>10.40am-12pm – <a href=\"https://www.youtube.com/watch?v=NXd4dh-VuFI&t=436s\">Panel {B} \"Interactivité, arts et design éditorial\"</a></li>\r\n\r\n    <ul>\r\n      <li>Nolwenn Tréhondart and Alexandra Saemmer, \"Le design éditorial des livres d'art numériques, au prisme de leurs pratiques de conception et de réception\"</li>\r\n    <li>Françoise Paquienséguy, \"Représenter la création artistique: les catalogues d'exposition numérique, comment aborder l’œuvre et son auteur?\"</li>\r\n </ul>\r\n    <li>Roundtable {C} \"Hybridation des modèles éditoriaux et graphiques des publications d’art sur supports numériques\"</li>\r\n   \r\n\r\n<li>12pm-1.15pm – Lunch</li>\r\n<li>1.15pm-2.30pm – <a href=\"https://www.youtube.com/watch?v=awq4Rs8-sw4&t=3s\">Panel {D} \"Édition scientifique: enjeux\"</a></li>\r\n\r\n    <ul>\r\n      <li>Anthony Masure, \"Design et humanités numériques, vers une convergence du livre et du web?\"</li>\r\n    <li>Jean-Louis Soubret, \"Design thinking et édition - point d'avancement\"</li>\r\n    <li>Lucile Haute and Julie Blanc, \"Design des publications scientifiques multisupports\"</li>\r\n    </ul>\r\n\r\n<li>2.30pm-2.50pm – Pause</li>\r\n<li>2.50pm-4.10pm – <a href=\"https://www.youtube.com/watch?v=lQ_cqfWLbQ0&t=29s\">Panel {E} \"Édition scientifique: études de cas\"</a></li>\r\n\r\n    <ul>\r\n      <li>Martine Clouzot, \"\"Living Book\" et Enluminures médiévales. Résultats d'expérimentation sur la création, l'édition collaboratives et la diffusion d'un \"livre vivant\"\"</li>\r\n    <li>Enrico Agostini-Marchese, Elsa Bouchard, Arthur Juchereau, Nicolas Sauret, and Marcello Vitali-Rosati, \"Une plateforme pour le livre anthologique à l'époque numérique. Le cas de l'Anthologie Palatine\"</li>\r\n    <li>Benoît Epron and Catherine Muller, \"L'abécédaire des mondes lettrés, un outil d'écriture collaborative savante\"</li>\r\n    </ul>\r\n\r\n\r\n<li>2.50-4.10 – <a href=\"https://www.youtube.com/watch?v=YscsXoDhdnk&t=1s\">Panel {F} \"Techniques de la fabrication et de la diffusion des livres en environnement numérique\"</a></li>\r\n\r\n    <ul>\r\n      <li>Cécile Meynard and Elisabeth Greslou, \"Du manuscrit au numérique: une édition multiformes et multisupports de Stendhal\"</li>\r\n    <li>Antoine Fauchié, \"<i>Git</i> comme nouvel ingrédient des chaînes de publication?\"</li>\r\n    <li>Fabrice Marcoux, \"La co-édition grâce à <i>Booktype</i> au <i>B7</i>: mise à l’épreuve du livre numérique\"</li>\r\n    <li>Jean-Michel Gascuel, \"Le livre de demain sera connecté et transmédia ou ne sera pas\"</li>\r\n    </ul>\r\n\r\n<li>4.10pm-5pm – <a href=\"https://www.youtube.com/watch?v=Gqms9YqEzd8&t=306s\">Roundtable {G} \"Publier la recherche\"</a></li>\r\n</ul>\r\n</p>\r\n<h3>1st May</h3>\r\n<p>\r\n<ul>\r\n<li>8.45am – Welcoming</li>\r\n<li>9am-10.20am – <a href=\"https://www.youtube.com/watch?v=_tjVEWtZcVQ&t=167s\">Panel {H} \"Fondements repensés\"</a></li>\r\n\r\n    <ul>\r\n    <li>Emmanuël Souchier, \"Éléments pour une épistémologie du design en contexte numérique\"</li>\r\n    <li>Franck Cormerais, \"Retour sur la \"Lecture Appropriative\" dans la dynamique des humanités digitales\"</li>\r\n    <li>Olivier Charbonneau, \"Encoder les communs de la lecture\"</li>\r\n    </ul>\r\n\r\n<li>10.20am-10.40am – Pause</li>\r\n<li>10.40am-12.15pm – Panel {I} \"Interactions, poétiques en contexte numérique\" — <a href=\"https://www.youtube.com/watch?v=f4A3fiED_r4\">First part</a> // <a href=\"https://www.youtube.com/watch?v=v8s789T7K5U&t=116s\">Second part</a></li>\r\n\r\n    <ul>\r\n    <li>Arthur Perret, \"La typographie du livre numérique, entre fluidité et frictions\"</li>\r\n    <li>Arnaud Laborderie, \"Du livre enrichi au livre augmenté: les enjeux d’une clôture numérique\"</li>\r\n    <li>Elsa Tadier, \"Corps, livre et design. Quand le numérique invite à revisiter la place du corps dans les dispositifs de lecture\"</li>\r\n    <li>Dominique Raymond, \"Potentiel2. Numérique et contrainte pour Savage (Nathalie), Dickner et Fortier (Révolutions)\"</li>\r\n    </ul>\r\n\r\n<li>12.15pm-1.30pm – Lunch</li>\r\n<li>1.30pm-2.30pm – Stands {J}</li>\r\n\r\n    <ul>\r\n    <li>Jimmy Gagné, \"Présentation Album jeunesse animé et narré\"</li>\r\n    <li>Nicolas Tilly, \"Impression postnumérique et remix éditorial\"</li>\r\n    <li>Gisèle Henniges, \"Co-création auteur et designer: ergonomie de l’œuvre augmentée et expérience utilisateur\"</li>\r\n    <li>Marcello Vitali-Rosati, Arthur Juchereau, Servanne Monjour, and Nicolas Sauret, \"Stylo: un éditeur sémantique <i>WYSYWYM</i> pour l'édition savante de demain\"</li>\r\n    </ul>\r\n    \r\n<li>1.30pm-2.30pm – Collecitve ideation workshop {K}</li>\r\n<li>2.30pm-2.50pm – Pause</li>\r\n<li>2.50pm-4pm – <a href=\"https://www.youtube.com/watch?v=MtVEzBS1ESw\">Panel {L} \"Interfaces, écritures et design éditorial\"</a></li>\r\n\r\n    <ul>\r\n    <li>Christine Develotte and Mabrouka El Hachani, \"L’alliance du papier et de la tablette numérique: les spécificités d’une nouvelle écriture de fiction jeunesse\"</li>\r\n    <li>Florence Rio, Bertrand Meslier, and Eric Kergosien, \"Le \"KIT de rédaction\" pour livres interactifs numériques ou la reconfiguration de l’acte d’écriture\"</li>\r\n    <li>Nathalie Lacelle, Marie-Christine Beaudry, and Prune Lieutier, \"Projet de soutien au développement de démarches d’édition numérique jeunesse au Québec\"</li>\r\n    </ul>\r\n\r\n<li>4pm-5pm – <a href=\"https://www.youtube.com/watch?v=W0WROYNP9t0\">Roundtable {M} \"Imaginer des structures d’accompagnement éditorial en contexte numérique\"</a></li>\r\n\r\n</ul>\r\n</p>\r\n\r\n<h3>Organizing committee</h3>\r\n<p>\r\n<b></b>\r\n<b>René Audet</b> (CRILCQ, University of Laval)\r\n<br><b>Renée Bourassa</b> (CRIalt, University of Laval)\r\n<br><b>Oriane Deseilligny</b> (GRIPIC, University Paris-13)\r\n<br><b>Bertrand Gervais</b> (CRC digital arts and literatures, UQAM)\r\n<br><b>Michael Sinatra</b> (CRIHN, University of Montreal)\r\n<br><b>Stéphane Vial</b> (PROJEKT, University of Nîmes)\r\n<br><b>Josée Vincent</b> (GRÉLQ, University of Sherbrooke)\r\n<br><b>Marcello Vitali-Rosati</b> (CRC digital textualities, University of Montréal)\r\n</p>",
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      "title": "Conference ‘Around the World: Digital Media in A Post-Truth Era’ ",
      "content_html": "<img src=\"http://www.crihn.org/files/sites/33/2017/04/ATW2017_international_poster_png-475x734.png\">\r\n<p>\r\nIn collaboration with the <b>Canada's Research Chair on Digital Humanities</b>, the <b>CRIHN</b> organize one of the sessions at the virtual conference \"<i>Around the World: Digital Media in a Post-Truth Era</i>\", thursday 4th May at 11 am: \"Post-truth and Authority\".\r\n</p>\r\n<p>\r\nAccording to Oxford dictionary, the word of 2016 is Post-truth, defined as a adjective  \"relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.\" The Brexit and Donald Trump's election at the presidence of the United States were the context where the term \"Post-Truth\" was the most employed, particulary in reference to the circulation of fake news on social media. This was possible, they say, because of the lack of ultimate authority which can assure the validity and the truth in those news. This lack, is it implied by the web's structure? On the web, is that true that there is no authority? What makes authority on the web? What is the truth in Social Media Era? This round table's purpose is to think about this themes, try to have a better comprehension of our era and, maybe, give an answer to those questions.\r\n</p>\r\n<p>\r\n<i>Chairman of the meeting</i> : <b>Michael Sinatra</b> (Université de Montréal)\r\n<br>\r\n<lh><i>Speakers:</i></lh>\r\n<li><b>Marcello Vitali-Rosati</b> (Université de Montréal)</li>\r\n<li><b>Servanne Monjour</b> (Université de Montréal)</li>\r\n<li><b>Enrico Agostini-Marchese</b> (Université de Montréal)</li>\r\n</p>\r\n<iframe src=\"https://www.youtube.com/watch?v=b01n_4aJ1FY\"></iframe>\r\n",
      "links": null,
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      "description": "<h2>University of Alberta (virtually)\r\n<br>Thursday 4th May 2017, 11 am-12 pm</h2>",
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    {
      "slug": "summer-school-digital-humanities-2017",
      "date_start": "2017-04-28",
      "date_end": null,
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      "event_type": null,
      "id": 1264,
      "events_id": 632,
      "languages_code": "en",
      "title": "Summer School Digital Humanities 2017",
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    {
      "slug": "international-colloquium-br-l-invention-litteraire-des-medias",
      "date_start": "2017-04-24",
      "date_end": null,
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      "event_type": null,
      "id": 1252,
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      "languages_code": "en",
      "title": "International Colloquium <br> « L'invention littéraire des médias »",
      "content_html": "<img src=\"http://i.imgur.com/zUJpLsv.png\">\r\n<p>\r\nWould the media exist without literature? Could one indeed speak about television, photography or cinema without these devices were also built and institutionalized in our collective imagination by the literature and its speech? When <b> Jules Verne </ b>, in <i>The Kip Brothers</i> (1902), the faces of the murderers Flig Balt and Vin Mod appear on a photograph of the corpse of Captain Gibson, whose retina has printed the image of his death (as if the eye worked like a camera!), he participates fully in the construction of the collective imagination of photography. This imagination of the medium is certainly largely fantasized, but it will influence for a long time the photographic practices and their reception, beginning with the power of <i>revelation</i> of the image and by its alleged testimonial value. Thus, it is clear that the media are not only technological realities, but also - and perhaps first - discursive constructions. But in a context of major technological and cultural upheavals initiated by the digital, it becomes essential to better understand the role and influence that literature plays in the construction and institutionalization of the media.\r\n</p>\r\n<p>\r\nThis is the goal of the international conference \"The Literary Invention of the Media\", born from the collaboration between the <b>Canada Research Chair in Digital Writing </b> and the <b>Canada Research Chair in film and media studies</b>, whose work is at the crossroads of ancient and modern media. This conference will bring together about twenty international researchers whose work questions this particular mode of the invention of the media that is literature.\r\n</p>\r\n<p>\r\nOrganization: <b>Thomas Carrier-Lafleur</b>, <b>André Gaudreault</b>, <b>Servanne Monjour</b>, and <b>Marcello Vitali-Rosati</b>.\r\n</p>",
      "links": [
        {
          "label": "Website",
          "url": "http://ilm.ecrituresnumeriques.ca/fr/"
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      ],
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      "description": "<h2>Cinémathèque québécoise, 335, Boulevard de Maisonneuve East, Montreal \r\n<div class=\"dateHeure\">Thursday 27th and friday 28th April 2017</div>\r\n</h2>",
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      "legacy_slug": "International-Colloquium-br--Linvention-litteraire-des-medias-",
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    {
      "slug": "colloquium-acfas-2017-la-publication-savante-en-contexte-numerique",
      "date_start": "2017-04-17",
      "date_end": null,
      "time_start": null,
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      "event_type": null,
      "id": 1250,
      "events_id": 625,
      "languages_code": "en",
      "title": "Colloquium ACFAS 2017 « La publication savante en contexte numérique »",
      "content_html": "<img src=\"http://www.acfas.ca/sites/default/files/styles/medium/public/2016-06/ACFAS_wordmark_Hor_Final_Col.png?itok=uptXc60v\" />\r\n<p>\r\nAfter a first <b>ACFAS</b> congress of <i>Centre de Recherche Interuniversitaire sur les Humanités Numériques</i> (<i>CRIHN</i>) in 2014, the objective of our 2017 congress is to <i>rethink from a theoretiical and practical point of view the scholarly publishing in digital age</i>.\r\n</p>\r\n<p>\r\nIt has become a cliché to point out that digital has invaded all spheres of knowledge production and diffusion, just as it has invaded the entire structure of society. All of the expertise and activities around uses, documents and digital cultures that have been developed over the last twenty years are constantly gaining momentum in all knowledge disciplines. Our research activities are now part of a <b>digital environment</b> that is not without consequences on the nature of the research itself, its objects, methods and results. However, most projects (databases, new publishing platforms, research and analysis tools, etc.) remain mostly isolated from each other, especially in the humanities. The <b>central theme</b> of our conference is to <i>identify the changes brought about by the digital in the field of knowledge production and dissemination in the humanities</i>. More precisely, we will study how the digital world causes a rearrangement of devices for the production and diffusion of knowledge and contents in human science through scholarly publishing.\r\n</p>\r\n<p>\r\n<h3>Program</h3>\r\n<ul>\r\n<li>9am — Welcoming from the organizing committee <b>Michael Sinatra</b>, <b>Nicolas Sauret</b>, and <b>Marcello Vitali-Rosati</b></li>\r\n<li>9.15am — Keynote lecture under <b>Nicolas Sauret</b> (University of Montreal) moderation</li>\r\n<ul>\r\n<li> <a href=\"https://archive.org/details/Hermeneutica-publications-interactives-Geoffrey-Rockwell\" target=\"_blank\"><b>Geoffrey Rockwell</b> (University of Alberta) and <b>Stéfan Sinclair</b> (McGill University) « Hermeneutica: Publishing Interactives »</a>.</li>\r\n</ul>\r\n<li>10.30am to 11am — Coffee break</li>\r\n<li>11am to 12.30pm — <a href=\"https://archive.org/details/publication-savante-contexte-numerique-1\" target=\"_blank\">First panel under <b>Emmanuel Château-Dutier</b> (University of Montreal) moderation</a></li>\r\n<ul>\r\n<li><b>Renee Bourassa</b> (Laval University): « Figures du livre en contexte numérique : matérialité, hybridité, intermédialité »</li>\r\n<li><b>Jean-Claude Guédon</b> (University of Montreal): « Les enjeux du libre accès pour le Québec »</li>\r\n</ul>\r\n<li>12.30pm to 1h45pm — Lunch</li>\r\n<li>1.45pm to 3.15pm — <a href=\"https://archive.org/details/publication-savante-contexte-numerique-2\" target=\"_blank\">Second panel under <b>Marcello Vitali-Rosati</b> (University of Montreal) moderation</a></li> \r\n<ul>\r\n<li><b>Emmanuel Château-Dutier</b> (University of Montreal): « Éditer pour répondre à des questions de recherche en histoire de l’art »</li>\r\n<li><b>Nicolas Sauret</b> (University of Montreal): « Fabrique de la revue en ligne Sens Public : concevoir la revue scientifique comme espace public »</li>\r\n</ul>\r\n<li>3h15pm to 3.45pm — Coffee break</li>\r\n<li>3h45 to 4.30pm — Third panel under <b>Michael Sinatra</b> (University of Montreal) moderation</li>\r\n<ul>\r\n<li><a href=\"https://archive.org/details/Httpsarchive.orgdetailspublication-savante-contexte-numerique-3\" target=\"_blank\"><b>Bertrand Gervais</b> (UQAM): « Littérature québécoise mobile, ou quels dispositifs utiliser pour dynamiser la communauté littéraire »</a></li>\r\n</ul>\r\n<li>4.30pm to 5pm — Closing speech under <b>Marcello Vitali-Rosati</b> (University of Montreal) moderation</li>\r\n<ul>\r\n<li><b>Dominique Bérubé</b> (CRSH)</li>\r\n</ul>\r\n<li>5pm to 6pm — Cocktail</li>\r\n</ul>\r\n<p>\r\nThis congress, organized by <b>CRIHN</b>, is founded by the <i>Département de littératures et langues du monde</i> and by the <b>Canada Research Chair of Digital Textualities</b>.</p>",
      "links": null,
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      "description": "<h2>McGill University\r\n<br>Building Trottier 2120\r\n<div class=\"dateHeure\">Friday 12th May 2017, 9am-6pm</div></h2>\r\n</h2>",
      "location": null,
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      "legacy_slug": "Colloquium-ACFAS-twozerooneseven-La-publication-savante-en-contexte-numerique",
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      "slug": "conference",
      "date_start": "2017-04-12",
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      "id": 1204,
      "events_id": 602,
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    },
    {
      "slug": "conference-of-jeffrey-schnapp",
      "date_start": "2017-03-28",
      "date_end": null,
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      "event_type": null,
      "id": 1244,
      "events_id": 622,
      "languages_code": "en",
      "title": "Conference of Jeffrey Schnapp",
      "content_html": "<img src=\"https://upload.wikimedia.org/wikipedia/commons/8/8d/Jeffrey2.jpg\" />\r\n<p>\r\n\"The phrase <i>Knowledge Design</i> describes the situation in the contemporary arts and humanities that most engages me as a “digital humanist”: the fact that the form that knowledge assumes can no longer be considered a given.\r\nIn my talk, I will provide an overall mapping of this situation and single out some key nodes: the re-mediation of print, data portraiture, bridging the analogue/digital divide, and the redesign of knowledge spaces from classrooms to museums.\"\r\n</p>\r\n<p>\r\n<b>Jeffrey Schnapp</b> is the founder/faculty director of <i>metaLAB</i> (at) Harvard and faculty co-director of the <i>Berkman Center for Internet and Society</i>. At <b>Harvard</b>, he serves as Professor of Romance Literatures and Comparative Literature, and is on the teaching faculty in the Department of Architecture at Harvard’s Graduate School of Design. In June 2015 he assumed the position of Chief Executive Officer and co-founder of <i>Piaggio Fast Forward</i>, devoted to developing innovative solutions to the transportation challenges of the contemporary world.\r\n</p>\r\n<p>\r\nTo get a better idea of what <i>Knowledge Design</i> is, you may visit the <a href=\"http://www.tcd.ie/library/news/future-library/jeffrey-schnapp-knowledge-design/\" target=\"_blank\">Dublin Trinity College Library's website</a>, where Mr. Schnapp gave a presentation. \r\n</p>\r\n<p>\r\nIf you would like to learn more about the work and interests of Jeffrey Schnapp, this <a href=\"https://digital.hbs.edu/events/knowledge-design/\" target=\"_blank\">article</a> on the Harvard University website will satisfy your curiosity.\r\n</p>\r\n<iframe src=\"https://ia601504.us.archive.org/28/items/JeffreySchnappsLectureKnowledgeDesign/Jeffrey%20Schnapp%27s%20lecture_Knowledge%20Design.mp4\" /></iframe>",
      "links": null,
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      "description": "<h2>University of Montréal\r\n<br><br>Pavillon Lionel-Groulx, Local C-3061\r\n<div class=\"dateHeure\">Tuesday 6th April 2017, 5:45pm-7pm</div></h2>",
      "location": null,
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      "legacy_slug": "Conference-of-Jeffrey-Schnapp",
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    {
      "slug": "round-table-the-encyclopedic-project-in-the-digital-era",
      "date_start": "2017-03-28",
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      "event_type": null,
      "id": 1246,
      "events_id": 623,
      "languages_code": "en",
      "title": "Round Table - The Encyclopedic Project in the Digital Era",
      "content_html": "<p>Organized by the <b>CRIHN</b>, <i>Canada Research Chair in Film and Media Studies</i> and <b>Canada Research Chair in Digital Textualities</b> as a part of the <i>Technes</i> project, this round table will raise the question of the renewal of the encyclopedic project as a form of systematisation and circulation of knowledge.\r\n</p>\r\n<h3>How to reconsider the editorial and epistemological model of the Encyclopedia in the digital era?</h3>\r\n<b>Moderator</b> : Servanne Monjour\r\n<b>Speakers</b> :\r\n<ul>\r\n<li>Rémy Besson</li>\r\n<li>Benoît Melançon</li>\r\n<li>Emmanuel Château-Dutier</li>\r\n</ul>\r\n<iframe src=\"https://ia601509.us.archive.org/1/items/TableRondeLeProjetEncyclopediqueALepoqueDuNumerique/Table%20ronde%20-%20Le%20projet%20encyclopedique%20a%20l%27epoque%20du%20numerique.mp4\" ></iframe></iframe>",
      "links": null,
      "feature_image": null,
      "description": "<h2>University of Montréal\r\n<br>Pavillon Lionel-Groulx, Local C-3061\r\n<div class=\"dateHeure\">Tuesday 6th April 2017, 4pm-5:30pm</div></h2>",
      "location": null,
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      "legacy_slug": "Round-Table---The-Encyclopedic-Project-in-the-Digital-Era",
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      "date_start": "2017-03-23",
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