Colloquium "Le choix dans les cultures de l'imaginaire" (Choice in Speculative Cultures)
October 28, 2022
Emmanuelle Lescouet co-hosts, on October 28, 2022 at the Maison des Sciences et de l’Homme en Bretagne, the "Le choix dans les cultures de l'imaginaire" (Choice in Speculative Cultures) colloquium with the 2022-09-23
Guest Seminar by Pierre Lévy on the IEML (Information Economy MetaLanguage) Project
October 24-26, 2022
The Canada Research Chair on Digital Textualities and the Centre de recherche interuniversitaire sur les humanités numériques (CRIHN) invite Pierre Lévy to conduct a seminar, from Octo
Fall 2022 Seminar of the Arcanes Research Group
October 7, 2022
Marcello Vitali-Rosati and Nicolas Sauret are lecturing, on October 7, 2022 from 10 a.m. to 12 p.m. (EST) on Zoom, as part of the fall 2022 seminar of the Arcanes Research Group, durin
Symposium
October 27 to 29, 2022
The Canada Research Chair on Digital Textualities holds, from October 27 to 29, 2022 in the Lionel-Groulx building of the University of Montreal, the symposium "Anthological Navigations: The Greek Anthology in the Era
Digital Humanities Conference Series
November 30, 2022
Marcello Vitali-Rosati gives a talk, on November 30, 2022 at 11 a.m. (EST) on Jitsi, as part of a series of conferences on digital humanities organized by the Clermont-Auvergne Institute of Technology and the Lycée Jean Mon
Workshop
Marcello Vitali-Rosati, on October 6, 2022 at 10 a.m. (EST) online here, gives the inaugural talk of the workshop "Écosophie du numérique" of the EVEille Pro
Corpus Season 2
September 5, 2022
Corpus, the livestream show hosted by Emmanuelle Lescouet on the Chair's Twitch channel, is back for a second season on September 5, 2022, live every Monday from 10 a.
Alliance of Digital Humanities Organizations Annual Conference
July 25-29, 2022
The annual conference of the Alliance of Digital Humanities Organizations will take place from July 25 to 29, 2022 both online and in person. The Chair's team will be giving and hosting multiple talks and workshops. To obtai
Interactions multimodales par écran (IMPEC) Conference 2022
July 7, 2022
On July 7, 2022 at 3:30 a.m. (EST), or 9:30 a.m. (CET), Marcello Vitali-Rosati gives a lecture titled "Espaces publics et jardins partagés : les collectifs à l'ère des GAFAM" (Public Spaces and Shared Gardens: Collectives in the
8th Document numérique et société Conference
June 23, 2022
On June 23 2022, Margot Mellet gives a talk titled "Design des petites mains : réflexions pour des environnements éditoriaux équitables, pluriels et inclusifs" (Design From Little Hands: Reflections On Fair, Plural and Inclusiv
Corpus Liveshow 12-Hour Streaming: Boosting of the Repository of Digital Writings
June 24, 2022
On June 24, 2022, from 8 a.m. to 8 p.m. (EST), Emmanuelle Lescouet will host a special live episode of Corpus, during which everyone is invited to submit digital texts and
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"content_html": "<p>Blue pill or red pill? Neo makes his choice and accepts the consequences; but if viewers of <i>The Matrix</i> are forced to observe the consequences of this choice made by the character, they don't have to follow it, and can just as well imagine what the other side of the story would have been if Neo had not had the same opinion, or if they had been in his place.</p>\r\n<p>This space of freedom presented here to the character as well as to the viewers is the very essence of choice, which could be defined as follows: namely, the result of the exercise of reason, tastes, or values, made with or without the knowledge of the multiple causes and consequences that it unites in a point of convergence.</p>\r\n<p>As such, choice is an integral part of everyday experience, from political voting to consumer choices, from clothing choices to word choices. But it takes on a particular colouring in the realms of fiction, because it is lived vicariously there (Goffman, 1967; Di Filippo, 2016).</p>\r\n<h3>Program</h3>\r\n<p>9 a.m. - 9:30 a.m.: In-person Welcome<br>\r\n9:30 a.m. - 12 p.m.: Un choix dont vous êtes le héros (A Choice Where You're the Hero)<br>\r\nPLANÇON, Thomas: « Dieu ne joue pas aux dés » : la place du hasard dans les univers de l’imaginaire (\"God Does Not Play Dice\": Luck in Speculative Universes)<br>\r\nTARDY, Manon: « Atelier dont vous êtes le héros » (jeu de rôle sur Twine) (\"Workshop Where You're the Hero\" [roleplaying game on Twine])<br>\r\nDiscussion<br>\r\n12 p.m. - 2 p.m. : Lunch Break<br>\r\n2 p.m. - 3 p.m. : Interactivités multimodales (Multimodal Interactivies)<br>\r\nGIRARD, Bruno: De <i>Smoking no-smoking</i> d’Alain Resnais à <i>Existenz</i> de Cronenberg et l’épisode <i>Black Mirror</i>, « Bandersnatch » : l’alternative au cinéma (From <i>Smoking no-smoking</i> by Alain Resnais to <i>Existenz</i> by Cronenberg and the <i>Black Mirror</i> Episode \"Bandersnatch\": Alternative in Cinema)<br>\r\nLESCOUET, Emmanuelle: Choisir la voix : narrations arborescentes de science-fiction (Choosing the Voice: Branching Narratives of Science Fiction)<br>\r\nDiscussion<br>\r\n3:30 p.m. - 4 p.m.: Break<br>\r\n4 p.m. - 5:30 p.m.: Choisir la rébellion ? (Choosing Rebellion?)<br>\r\nKLEIN, Victoria: Littérature environnementale et cultures de l’imaginaire : l’afrofuturisme au service de la cause écologique. Le personnage écologique dans <i>Tè Mawon</i> de Michael Roch (Environmental Literature and Speculative Cultures, Afrofuturism at the Service of the Ecological Cause: The Ecological Character in <i>Tè Mawon</i> by Michael Roch)<br>\r\nBRESSON, Jonathan: Dilemmes héroïques de la violence et de la rébellion (Heroic Dilemmas of Violence and Rebellion)<br>\r\nDiscussion</p>",
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"content_html": "<p>Marcello Vitali-Rosati lecture: \"Pour des environnements numériques contre-intuitifs, complexes et hétérogènes. La littératie numérique à l'épreuve des GAFAM\" (For Counter-Intuitive, Complex and Heterogeneous Digital Environments: Digital Literacy Against the GAFAM)</p>\r\n<p>Digital environments are now dominated by a handful of private companies that promise us intuitive, simple and neutral technologies that \"solve\" our problems without us having to ask too many questions and especially without us having to think too much. This rhetoric is at the root of a growing digital incompetence: we depend on the GAFAM, the GAFAM think for us. True digital literacy requires a radical questioning of this rhetoric: we must seek out counter-intuitive, complex and heterogeneous environments.</p>",
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"content_html": "<p>The languages and literatures of Antiquity, especially from ancient Greece, are omnipresent in our culture and in the construction of Western societies. With the birth and development of the Internet on the one hand, and that of the Web on the other, more and more projects for the digitization, indexing, digital publishing, and computational studies of these texts are emerging. What are the implications of this encounter between texts that are sometimes several millennia old and digital platforms? What to do with the innumerable data generated? How can we appropriate these digitized heritages, contribute to their dissemination, and exploit them for heuristic purposes? What digital and computational tools can we use to further our knowledge of these vast bodies of work, which are far from having revealed all their secrets? The event “Anthological Navigations” intends to raise these questions by focusing in particular on the case study of the Greek Anthology, a monumental work for which the Canada Research Chair in Digital Textualities is producing a collaborative digital edition. This meeting will take place over three days with the aim of calling on the community of Digital Classicists to reflect on the scientific issues related to the dissemination of the heritage of ancient Greek languages and literatures and, more generally, on the methodological and epistemological impact of the Digital Humanities within the framework of Hellenistic studies. While focusing on the anthological corpus, the three days of the conference aim to bridge the gap between the terms “digital” and “classicists” and to prompt a meeting between researchers, professors and programmers with diverse profiles and sometimes distant interests, so that a perennial discussion can be created and new research potentialities can emerge.</p>",
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"content_html": "<p>For several years, the GAFAM have been spreading a particular rhetoric that now informs the way we understand the digital world: platforms, tools and technologies must be simple, intuitive, beautiful, fast... But this rhetoric hides a fundamental problem: simplicity, intuitiveness and this standardized beauty are only signs of a growing digital incompetence. We depend on the GAFAM, the GAFAM think for us. By praising non-intuitive, ugly, and complicated design, I intend to lay the groundwork for a true digital literacy that critically challenges the discourse of the GAFAM.</p>",
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"content_html": "<h2>October 6, 2022</h2>\r\n<p>From Plato through Plotinus, until we arrive at our digital age, matter has always been regarded with a certain contempt. Matter would be passive, given, neutral. Meaning, ideas, and everything that seemed \"high\" to us would be on the side of immateriality. According to this rhetoric, any activity associated with matter -- for example, everything that concerns the formatting of content, technical choices, the activities of tagging and encoding data -- would be neutral, uninteresting and to be entrusted to \"subordinates\" -- often women. In my presentation I will quickly trace the history of this \"rhetoric of immateriality\" and show its effects in a certain -- dominant -- conception of what we call \"the digital.\"</p>",
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"content_html": "<p>For a second season in a row, Emmanuelle Lescouet presents and explores a new digital literary work every week, specifically questioning its textual qualities, its modes of reading and its format, as part of the development of the <a href=\"https://repertoire.ecrituresnumeriques.ca/s/repertoire/page/accueil\">Répertoire des écritures numériques</a> (Directory of Digital Writings).</p>\r\n<p>Examples include:<br>- Writings from platforms such as Wattpad ou fanfction.com<br>- Social media literature<br>- Notifictions<br>- Natively digital books as well as digitally edited books<br>- Videogamebooks, be they interactive fiction or visual novels<br>- Purely narrative or poetic textual video games<br>- Augmented reality works, with or without book-like support<br>- Virtual reality works…<br>A lot of content to look forward to!</p>\r\n<p>For more information, take a look at the first season's <a href=\"https://lab-yrinthe.ca/actualites/streamer-la-litterature-numerique-sur-twitch\">recap</a>!</p>",
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"content_html": "<p>July 26, 2022, 2 p.m. to 5:30 p.m. (EST)<br>Workshop \"Scholarly Writing and Editing With the Text Editor Stylo\"<br>Hosted by Roch Delannay and Antoine Fauchié</p>\r\n<p>July 27, 2022, 8:30 p.m. (EST)<br>Short presentation \"States of the Text: Fixation, Legitimation and Multimodal Publication\"<br>Presented by Antoine Fauchié</p>\r\n<p>July 28, 2022<br>Electronic Poster \"'Répertoire des écritures numériques': Archiving and Qualifying Electronic Literature\"<br>Presented by Emmnauelle Lescouet and Marcello Vitali-Rosati<br>Electronic Poster \"Electronic Literature: Thinking a Taxonomy\"<br>Presented by Emmanuelle Lescouet and Marcello Vitali-Rosati</p>\r\n<p>July 29, 2022, 8:30 p.m. (EST)<br>Short presentation \"Between Interactive Fictions and Visual Novels: Diversity of Agency in Videoludic Novels\"<br>Presented by Emmanuelle Lescouet and Pierre Gabriel Dumoulin</p>",
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{
"slug": "interactions-multimodales-par-ecran-impec-conference-2022",
"date_start": "2022-07-04",
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"title": "Interactions multimodales par écran (IMPEC) Conference 2022",
"content_html": "<p>In our digital lands, largely occupied and governed by the GAFAM, the optimism that prevailed in Barlow's Declaration of the Independence of Cyberspace now seems far away, as AffordanceInfo recently noted. Is it still possible to imagine digital environments as free, plural, public spaces? By what actions can we \"humanists\" take ownership of digital spaces and make them livable, shared and open places?</p>",
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"description": "<h2>July 7, 2022<br>\r\nOn July 7, 2022 at 3:30 a.m. (EST), or 9:30 a.m. (CET), Marcello Vitali-Rosati gives a lecture titled \"Espaces publics et jardins partagés : les collectifs à l'ère des GAFAM\" (Public Spaces and Shared Gardens: Collectives in the",
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{
"slug": "8supth-sup-document-numerique-et-societe-conference",
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"id": 1484,
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"title": "8<sup>th</sup> Document numérique et société Conference",
"content_html": "<p>In this talk, I wish to present an ongoing reflection on the epistemological impact of the saying \"little hands\" in the field of digital edition. This reflection is based on my experience as coordinator of the humanities journal <i>Sens public</i> and my involvement in the project Revue3.0 (Journal3.0) led by the Canada Research Chair on Digital Textualities.</p> ",
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"description": "<h2>June 23, 2022<br>\r\nOn June 23 2022, Margot Mellet gives a talk titled \"Design des petites mains : réflexions pour des environnements éditoriaux équitables, pluriels et inclusifs\" (Design From Little Hands: Reflections On Fair, Plural and Inclusiv",
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"legacy_image": "https://imgur.com/jPYYaOE.jpg",
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{
"slug": "corpus-liveshow-12-hour-streaming-boosting-of-the-repository-of-digital-writings",
"date_start": "2022-05-27",
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"id": 1486,
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"languages_code": "en",
"title": "Corpus Liveshow 12-Hour Streaming: Boosting of the Repository of Digital Writings",
"content_html": "<p>Hello to all,\r\nAt the beginning of the summer semester, we invite you to a festive online day to celebrate the new version of the Repository as well as its corpus!</p>\r\n<p>The Repository of Digital Writings (https://repertoire.ecrituresnumeriques.ca/.../page/accueil) has been referencing works since 2018, focusing on atypical objects, on a broad and inclusive corpus of contemporary practices, without barriers of language or provenance of works. In 2021, the project got a facelift: the establishment of a common vocabulary within LQM (Littérature québécoise mobile) allowed us to refine our records. It is now crucial to continue this work!</p>\r\n<p>Throughout the year, live broadcasts have allowed us to discover works and begin archiving work.</p>\r\n<p>Now it's time to get the ball rolling, and invite you to join us for the first corpus exploration hackathon day on the repertoire's TWITCH channel: https://www.twitch.tv/ecrituresnumeriques .\r\nOn June 24, starting at 8 a.m. Montreal time (2 p.m. French time), you are all invited to share works: unseen, or already explored parts of the corpora!</p>.\r\n<p>All forms - however born digital - are welcome: audio or video literature, from networks, blogs, sites, apps or digital books, visual novels and interactive fictions, in virtual reality or augmented reality, by projection or on screen.</p>\r\n<p>This hopefully dramatic increase in the corpus will make the data visualizations and study enabled by the Directory even more valuable.</p>\r\n<p>Hope to see you soon!\r\nEmmanuelle Lescouet\r\nfor the CRCEN's Directory of Digital Writing</p>",
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"description": "<h2>June 24, 2022<br>\r\nOn June 24, 2022, from 8 a.m. to 8 p.m. (EST), Emmanuelle Lescouet will host a special live episode of <a href=\"https://www.twitch.tv/ecrituresnumeriques\">Corpus</a>, during which everyone is invited to submit digital texts and",
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}